Naomi and the Modern Girl




            The early 20th century brought about a change in the perception of women both in their public and private lives. Throughout the world women were going from being the homemaker to becoming a working class modern woman. This change also happened in Japan were the term moga was created to describe the modern girl that was starting to appear throughout the country. The novel Naomi by Junichiro Tanizaki describes the evolution of the modern girl through the eyes of the story’s main protagonist Joji who finds himself enthralled with the concept of western culture and the modern girl. Through Joji the reader meets Naomi who looks western in appearance but is Japanese born. The novel starts when Joji meets Naomi who is 15 at the time and from there he attempts to make her a well-rounded young woman who is cultured and educated. Joji learns though his experiences with Naomi how truly the frightening the modern Japanese girl and how rapidly they change in a short amount of time.

            The novel foreshadows early on to the horror of being in love with a strong, powerful woman though a flashback into Joji’s younger years. Joji says “When I was in middle school, we learned about Antony and Cleopatra in a history class. As you probably know, Antony engaged the forces of Augustus in a naval battle on the Nile. Cleopatra followed Antony into battle, but when she saw that things looked bad for her side, she immediately turned her ship and fled; whereupon Antony, realizing that the heartless queen was deserting him, withdrew from the battle at a critical moment and chased after her.”[1] This memory of the story told by his teacher should have told Joji that his relationship was headed in the same direction because like Cleopatra was a modern girl in her time she also had a way with men because before she was with Antony she had another love. The middle school teacher’s lesson in the novel was alluding early on of the destructive nature of the relationship that the main character was pursuing and that like Antony, Joji was also a fool to think that he could be with Naomi and change her into something else without the consequences that would come from their relationship.
            In their relationship Joji’s views on Naomi change from adoration to love, and from love to hate. He’s frightened by how she changes from the girl he met in a café to the kind of person who would have multiple relationships while still being married to him. Naomi as a person personifies how Japan saw the modern girl as someone who can take care of themselves, has the ability to be with multiple partners and not be dependent on their family. Even though Naomi depended on Joji who provided for her she also used him to gain what she wanted. She’s difference from the traditional Japanese girl who was refined in how she talked and acted around others “Naomi exceeded the bounds of mere liveliness; she was too rough in everything she did. Her speech, supercilious and lacking in feminine gentleness, was often vulgar. In short she was a wild animal.”[2] In Joji’s eyes Naomi is described as more of a tomboy in how she acts around others in, she has more male friends than female friends which might play a role in how she is, but this is one more way in which the modern girl breaks away from the traditional young woman. The modern girl has more freedom than most woman did fifty years before and because of this new freedom she also has the ability to shape how women are perceived in the new century. No longer bound to the restrictions of feudal society where women are to play their part in their home the modern girl can now work and go to school but they can also have more than one male pursuing them and they can flirt back without it being taboo.
            What makes this new woman frightening to the novel’s main character is the fact that behind his back Naomi was actually acting out the part of the modern girl that he was the most afraid of.  The allure of her being westernized both in appearance and in education, as well as the fact that Joji wanted to create the perfect woman to be his wife was also the cause of how Naomi changed throughout the novel. He’s completely blinding by her beauty he doesn’t see that she’s actually manipulating him thoughout the years. When he finally realizes the truth about Naomi is still playing with his emotions even telling him that he’s never liked that she hung around a bunch of boys. The reasons as to why Joji is frightened by the modern girl is her ability to manipulate, lie, and cheat without remorse or even thinking about what she’s doing to those around her. Naomi’s outside relationships soured her relationship with Joji but even he was unwilling to part from her, “Naomi and I talked in bed that night as though nothing had happened; but to tell the truth, I hadn’t been able to put it out of my mind completely. She was no longer chaste: not only did this thought cast a dark shadow over my heart; but it also lowered the value of Naomi, who’d been my treasure, by more than half.”[3] For Joji he didn’t want to part with her even though he knew the truth about her relationships with two separate men, but even knowing this and knowing that she’s not the same girl he brought into his home he still wouldn’t separate himself from her. The real reason he became frightened by the modern girl was because although he tried to make the relationship work and even give her options on how they would further their lives she still went back to playing around with other men. Joji’s despair over Naomi’s ways and even throwing her out may have also contributed to her further exploits into becoming the definition of the modern girl. She became more alluring and had multiple partners, but she also evolved from being the Japanese version of the modern girl to becoming the westernized version of the twenties girl. Their separation made Naomi into the woman that Joji wanted but also at the cost of her innocence that she had when she was with him. He was frightened by her no care attitude and how she could so casually go from one man to another.
            The perception of the Japanese modern girl in history and the perception that the novel gives the reader maybe very different. Even though Naomi is a novel, it still depicts the changes that are happening during the early 20th century in society. The changes in how women act in society changed so dramatically during this time not just in Japan but throughout the world this included the way they acted around men and even obtained jobs in fields that weren’t open to them before. As a novel though these rapid changes aren’t completely explored, the story only focused on the main character’s obsession with Naomi and her changes as well as how he would like her to be. Joji does talk about how his taste run “Though I had no sense for such things, my tastes ran to the chic and up-to-date, and I imitated the Western style in everything.”[4] Yet in his talk of his taste and his wish of wanting to marry a western woman Joji doesn’t acknowledge the changes that the Western woman is going through during the same time that the story takes place. As a source the novel lacks in any relevant information that would bring out the characters historically, as someone who would understand the changes that effect the object of the protagonist obsessions. He’s only obsessed with the thought of the Western Woman, the modern woman, or the modern girl he has no true sense of what makes her different which makes the novel’s historical value diminish as a whole.
            The modern girl of the 20th century may have helped form how young women are by today’s standards, they were care free and not bound to the same rules that women of the 19th century were bound to. They were able to live their lives much the same as men when it came to working in an office setting and their ability to go out and have fun. This new attitude would be something that many people wouldn’t know about and would like how different they are. Many other people wouldn’t like these changes because of their old world attitudes they would see the modern girl as shameful and disrespectful. For people like Joji though it would take the loss of someone they care about to reevaluate how they perceive the modern girl as well as Naomi’s ability to care for him even after everything she had put him through.


[1] Junichiro Tanizaki. Naomi. Vintage International. New York.1985. 49-50
[2] Ibid, 92
[3] Ibid, 161
[4] Ibid, 67

Comments